Venice, Italy · Castello · Santa Maria Formosa
A 16th-century palace built like a Roman house, with frescoed rooms, a monumental staircase and the Tribuna, where Ganymede flies above a wall of ancient statues. Tickets €14, free for under-18s.
Palazzo Grimani di Santa Maria Formosa was the home of one of Venice's great patrician families. Bought by Antonio Grimani, doge from 1521, it was rebuilt from the 1530s by his grandsons Vettore and Giovanni as a Roman-style house, with a courtyard, loggias and rooms decorated by artists trained in Rome.
Patriarch Giovanni Grimani filled it with one of the finest collections of ancient sculpture of the Renaissance. He left it to the Republic in 1587, and it became the core of Venice's Archaeological Museum. Today many of those statues are back in the palace.
The museum is run by the Italian Ministry of Culture. It is quiet, well restored, and a 10-minute walk from St Mark's Square, which few of the crowds there realise.
The room the palace was built around: a small square hall under a coffered lantern, its walls lined with ancient heads and statues. In the centre of the vault, a marble eagle carries Ganymede off into the air. It is one of the strangest and most beautiful rooms in Venice.
You enter into a square courtyard modelled on an ancient Roman house, with loggias where classical statues once stood. Look for the stucco baskets of fruit and vegetables in the loggia by the museum entrance.
Decorated in 1563–1565 by the young Federico Zuccari, fresh from Rome: allegorical frescoes of the patron's virtues, grotesques, and stucco reliefs copied from antique cameos in the Grimani collection.
Camillo Mantovano painted the whole ceiling as a canopy of fruit trees and flowers in the 1560s, with birds and animals hidden in the branches. Spend a minute finding them: some are hunting, some are being hunted.
The museum sells its own tickets, at the desk and in the Musei Italiani app. What you can book online is a private walking tour that includes the Grimani ticket, plus the best things to pair with it in Venice.
Prices shown in USD. Free cancellation up to 24 hours before. Powered by GetYourGuide.
| What's Included | Museum Ticket Best Value€14 · €2 ages 18–25 | Free First Sunday€0 · monthly | Secret Venice Private TourFrom $201 / group |
|---|---|---|---|
| Courtyard, staircase & piano nobile | ✓ | ✓ | ✓ |
| The Tribuna & sculpture collection | ✓ | ✓ | ✓ |
| Temporary exhibitions | ✓ | ✓ | ✓ |
| Guide | — | — | ✓ private |
| Hidden Venice walk from Rialto | — | — | ✓ |
| Hotel pickup & drop-off | — | — | ✓ |
| Booking | Desk or Musei Italiani app | No booking, just turn up | Viator · free cancellation |
| Best for | Most visitors | Budget travellers who can plan around it | Couples and families who want a guide and the back streets |
| Next step | Prices & Hours | Free Entry Rules | Book Private Tour |
Beyond the Tribuna and the staircase, four details that most visitors walk past.
Camerino di Apollo
A tiny jewel box of a room with frescoes by Francesco Salviati and stucco by Giovanni da Udine, who had worked with Raphael in the Vatican. It shows how quickly Roman taste reached Venice.
Sala del Doge Antonio
Named after Antonio Grimani, the doge who bought the palace. The walls are dressed in polychrome marbles and stucco, a showcase of materials as much as of art.
Sala del Camino
Above the fireplace, a grotesque stucco face opens its jaws wide, probably also by Federico Zuccari. Children love it; Renaissance visitors would have caught the jokes about appetite and fire.
Rio di San Severo
The palace was built where two canals meet, and its grand entrance faced the water. Today you arrive on foot through a narrow calle, but walk round to the Rio di San Severo to see the façade the Grimani wanted guests to see.
Come at opening time (10:00) or after 16:00. Even at its busiest, Grimani has a fraction of the crowds at St Mark's, so it is a good place to retreat to in the middle of the day.
Entry is free on the first Sunday of every month, as at all Italian state museums, and on 25 April, 2 June and 4 November. Under-18s are always free.
The permanent route takes 60–90 minutes. A temporary exhibition on the second floor can add 30–60 minutes.
The museum is closed every Monday. That makes Monday a good day for the islands of Murano and Burano or for the Doge's Palace, which opens daily.
Grimani is 10 minutes' walk from St Mark's Square. Do the Doge's Palace in the morning and Grimani after lunch, then walk back through Campo Santa Maria Formosa.
The best things here are on the ceilings: the Zuccari staircase, the Room of Foliage, the Tribuna's Ganymede. Give your neck a rest between rooms, and keep the flash off.
Opening hours, free days, or fitting Grimani into a day around St Mark's: ask us.
Contact Us →The family, the collection, the rooms, and how to fit the palace into a Venice day.
Most Venetian palaces look Gothic or Byzantine, facing the Grand Canal with lace-like windows. Palazzo Grimani is different. Its owners had lived in Rome and wanted a house that looked like an ancient Roman domus: a central courtyard, loggias full of statues, rooms decorated like the newly excavated palaces of the emperors.
In 16th-century Venice that was a provocative choice, and it still feels unexpected today.
The core of the building was a medieval house where the Rio di San Severo meets the Rio di Santa Maria Formosa. Antonio Grimani bought it at the end of the 15th century, and in 1521 he was elected doge.
His grandsons inherited it in the 1520s and set about turning it into something new.
Vettore Grimani was a Procurator of St Mark's; his brother Giovanni was Patriarch of Aquileia, a churchman with a passion for antiquities. From 1537 they remodelled the house in the Roman style and brought in painters and stuccoists trained in Rome.
When Vettore died in 1558, Giovanni became sole owner, added a new wing that closed the courtyard, and kept decorating.
Giovanni Grimani collected classical sculpture, marbles, bronzes, vases and gems, and displayed them in the Tribuna and the rooms of the piano nobile. In 1587 he gave his sculptures and gems to the Republic of Venice.
After his death they went to the Marciana Library, and they became the founding core of today's National Archaeological Museum on St Mark's Square.
For more than four centuries the Tribuna stood empty. In 2019 an exhibition brought the ancient sculptures back to the palace, and many are displayed in the rooms where Giovanni first placed them.
Since 2024, Palazzo Grimani has been part of the same national museum group as the Archaeological Museum, which keeps the two halves of the story together.
The Santa Maria Formosa branch of the Grimani died out with Michele Grimani in 1865. The palace passed through several owners and fell into poor condition.
The Italian state bought it in 1981. After a long restoration of the frescoes, stuccoes and marbles, it opened as a museum on 20 December 2008.
The second floor, without the decorations of the first, is used for temporary exhibitions that set contemporary artists against the Renaissance rooms. Recent years have seen painters and sculptors from Georg Baselitz to Amoako Boafo, whose first Italian solo show runs in 2026.
Check what's on before you go: the shows change the feel of the visit.
The Doge's Palace is 10 minutes away. The church of Santa Maria Formosa is on the next campo, and the Querini Stampalia foundation is just beyond it.
In the evening, pair your visit with a concert or opera in another palace, or keep Monday, when Grimani is closed, for the islands.
The door is down a narrow calle, Ramo Grimani, off Ruga Giuffa near Campo Santa Maria Formosa. Look for the museum banner; it is easy to walk past.
Under 18? Free. Aged 18–25? €2. Otherwise visit on the first Sunday of the month for free, or pay €14 any other day. There is no queue to speak of, so buy at the desk.
Campo Santa Maria Formosa has bars with outdoor tables, good for a drink after the museum. The Querini Stampalia foundation, with its Carlo Scarpa garden, is two minutes away.
The Doge's Palace is the Republic's grand stage; Grimani is a private house. One shows power, the other taste. Both are worth it, and they are 10 minutes apart.
Check prices and hours, or book a private walk through hidden Venice with your museum ticket included.